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2018柏林戏剧节在中国《轻松五章》

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话剧轻松五章 详细介绍

Brief Introduction
剧目简介
Staging a play about the Belgian child murderer Marc Dutroux with children between the ages of 8 and 14, of all people? This reeks of scandal – and of an idea developed by Swiss director Milo Rau, who has been exploring the representability of evil for some time. In “Five Easy Pieces”, Rau duplicates the theatre situation by showing seven children and a director (Peter Seynaeve) at rehearsals. Scenes based on documentary material from the Dutroux case – interviews with the perpetrator’s father, but also with victims’ parents, a policeman’s report, a never-sent letter from a kidnapped girl to her parents – are increasingly superimposed by the question of how and whether children can play characters in this case at all. In his highly ambivalent production, which rigorously reflects on its own ethics, Milo Rau manages to set the self-confident individualities of the children from Ghent against evil, including the evil in art.
故事在名煞一时的比利时儿童杀人魔马克·杜特斯与年龄为8-14岁的几个孩子之间展开,由瑞士著名戏剧导演米罗·劳自一个新闻事件丑闻改编而成。劳通过让演员和辅助导演观看事件纪录片进行排练。场景布置基于杜特斯案件相关材料—杀人凶手父亲的采访,受害者采访,警方报告以及一封未寄出的被绑架女孩儿写给父母的信。看似“少儿不宜”的剧目需要儿童参与演出,为此大家议论纷纷。米罗·劳在道德冲突与自我矛盾中最终还是成功的将这部剧搬上了舞台,并且在小演员们心中种下自信的种子以此来对抗邪恶或是邪恶的艺术。

主创团队
Concept, text & direction: Milo Rau
Text & performance: Rachel Dedain, Aimone De Zordo, Fons Dumont, Arno John Keys, Maurice Leerman, Pepijn Loobuyck, Willem Loobuyck, Blanche Ghyssaert, Polly Persyn, Lucia Redondo Peter Seynaeve, Pepijn Siddiki, Elle Liza Tayou, Winne Vanacker, Hendrik Van Doorn & Eva Luna Van Hijfte (2 casts of 8)
Performance film: Sara De Bosschere, Pieter-Jan De Wyngaert, Johan Leysen, Peter Seynaeve, Jan Steen, Ans Van den Eede, Hendrik Van Doorn & Annabelle Van Nieuwenhuyse
Dramaturgy: Stefan Bl?ske
Direction assistant & performance coach: Peter Seynaeve
Child care & production assistant: Ted Oonk
Research: Mirjam Knapp & Dries Douibi
Set & costume design: Anton Lukas
Production: CAMPO & IIPM
Co-produced by: Kunstenfestivaldesarts Brussels 2016, Münchner Kammerspiele, La Batie – Festival de Genève, Kaserne Basel, Gessnerallee Zürich, Singapore International Festival of Arts (SIFA), SICK! Festival UK, Sophiensaele Berlin & Le phénix scène nationale Valenciennes p?le européen de création
概念、剧本及导演:Milo Rau
剧本及表演:Rachel Dedain, Aimone De Zordo, Fons Dumont, Arno John Keys, Maurice Leerman, Pepijn Loobuyck, Willem Loobuyck, Blanche Ghyssaert, Polly Persyn, Lucia Redondo Peter Seynaeve, Pepijn Siddiki, Elle Liza Tayou, Winne Vanacker, Hendrik Van Doorn & Eva Luna Van Hijfte (2 casts of 8)
演出影像: Sara De Bosschere, Pieter-Jan De Wyngaert, Johan Leysen, Peter Seynaeve, Jan Steen, Ans Van den Eede, Hendrik Van Doorn & Annabelle Van Nieuwenhuyse
戏剧构作: Stefan Bl?ske
导演助理 & 表演指导: Peter Seynaeve
儿童护理 & 制作助理: Ted Oonk
研究调查: Mirjam Knapp & Dries Douibi
舞美、服装设计: Anton Lukas
制作: CAMPO艺术中心 & IIPM国际政治谋杀研究所
联合制作: Kunstenfestivaldesarts Brussels 2016, Münchner Kammerspiele, La Batie – Festival de Genève, Kaserne Basel, Gessnerallee Zürich, Singapore International Festival of Arts (SIFA), SICK! Festival UK, Sophiensaele Berlin & Le phénix scène nationale Valenciennes p?le européen de création
List of Awards
获奖情况
Prix de la critique théatre & danse 2016 - Special juryprize for Milo Rau
Selection Theatertreffen 2017
3-sat award 2017 for Milo Rau for Five Easy Pieces
Selection Dutch Theatre Festival 2017
Selection Belgian Theatre Festival 2017
Theater Heute 2017 – Award for Best production & Best dramaturge
Mess Festival 2017 – Sarajevo:
Grand Prix – Golden Laurel Wreath for Best Performance; Golden Laurel Wreath for Best Director; Audience Award for Best Performance; MESS Critics Award
Premio Ubu 2017 for Best foreign performance in Italy
2016年戏剧和舞蹈评论家奖——“评委会特别奖”米罗·劳
入选2017柏林戏剧节
2017 年德国公共电视台3-SAT奖——米罗·劳《轻松五章》
入选2017荷兰戏剧节
入选2017比利时戏剧节
2017年《今日剧场杂志》最佳作品及最佳剧作奖
2017年MESS国际戏剧节——萨拉热窝大奖金桂冠最佳表演奖; 金桂冠最佳导演; 最佳表演观众奖 MESS评论家奖
2017年意大利乌布奖最佳外国戏剧作品
Co-Productions
联合制作
Sophiens?le Theater,Berlin / 德国柏林苏菲娅萨勒剧院 及 CAMPO艺术中心
Sophiens?le Theater,Berlin
德国柏林苏菲娅萨勒剧院
 
The Sophiens?le is located in the former building of the craftsman s association, whose turbulent history begins with its construction in 1904/1905. It was built in   one of the oldest streets of the Berlin-Mitte: the over 300-year-old Sophienstra?e.
德国柏林苏菲娅萨勒剧院前身为工会所用建筑,其颇为复杂的建筑历史始于1904年/1905年。剧院建立在柏林米特区一条古老的街道旁:具有300多年历史的苏菲娅萨勒街道。
Today, the Sophiens?le is one of the most important locations for German-speaking independent art-production. Artists from Berlin, as well as the national and international theatre-scene are invited to produce and present their works here. They are selected on the basis of their artistic concepts, contents, and working schemes.
如今,苏菲娅萨勒剧院已是进行独立德语艺术制作最为重要的场地之一。来自柏林、甚至全国以及世界各地的艺术家纷纷被邀请至此进行艺术创作与制作。剧院则会从艺术观念、创作内容、实施计划等方面综合考量择优选择艺术家入驻。
The Sophiens?le is home to cultural discourse and a vast mix of artistic genres – from theatre, dance and music, to performance and visual art - which complement each other and enjoy a productive dialogue.
德国柏林苏菲娅萨勒剧院已成为各种艺术流派之间文化交流的圣地——剧院、舞蹈与音乐到表演与视觉艺术——不同艺术形式在此相互融合、百家争鸣。

CAMPO
In response to the invitation of arts centre CAMPO (Ghent, Belgium) to create a new play in the series of theatrical works with children, Milo Rau & IIPM create Five Easy Pieces. Remember the 90’s with Moeder & Kind, Bernadetje en Allemaal Indiaan by Alain Platel & Arne Sierens, the more recent trilogy üBUNG by Josse De Pauw, That Night Follows Day by Tim Etchells & Before Your Very Eyes by Gob Squad, or the duet VICTOR by Jan Martens & Peter Seynaeve, and Next Day by Philippe Quesne.
为响应比利时根特CAMPO艺术中心的邀请,米罗?劳与自己的研究所携手儿童们共同打造出一部新剧作——《轻松五章》。这是一部向谨记经典的作品,以致敬九十年代阿兰?布拉特和安?赛瑞恩的作品《母与子》、《伯纳德提耶》、《所有印度人》,乔思?德?保尔最新创作“练习三步曲”,蒂姆·埃切尔斯创作的《夜以继日》,葛布·司戈德作品《近在眉睫》,简?玛特恩和彼得?塞纳伊芙的二重奏《胜利》和菲利浦?坤森的《明天》。
Alongside this tradition of performances with children on stage, CAMPO sets up long term trajectories with different artists, such as Sarah Vanhee, Pieter Ampe, Florentina Holzinger & Vincent Riebeek, Robbert&Frank/Frank&Robbert, or Louis Vanhaverbeke, always with a focus on young artists, next to renowned names. The arts centre tours the world with their creations, from Brussels to Singapore.  
随着儿童舞台表演形式的传统的发展,CAMPO艺术中心与一批致力于促进青少年艺术的艺术家们建立了长期的合作路径,其中不乏小有名气的艺术家萨拉?凡芮、得?安普、佛罗伦缇娜?霍尔兹因格尔、文森特?瑞比克、罗伯特?弗兰克(或弗兰克?罗比特)及路易斯?凡哈维贝克。CAMPO艺术中心带着它的新作品从布鲁塞尔到新加坡在世界范围内巡演。
评论
In Milo Raus s Five Easy Pieces children are initiated in the emotional and political absurdities and the bottomless pits of the adult world.
米罗·劳的《轻松五章》,孩子们从情感和政治的奇谈怪论中历经成人世界里荒谬的无底深渊。
“A performance that proves that distanced emotion is stronger than pathos. This is grand theater, human, sensitive, intelligent and political.”
RTBF.be, Christian Jade
“一场证明疏离的情感比煽情更强大的演出。这是一部宏大的戏剧、充满了人性、敏感、智慧和政治。”
——比利时法语广播电视台  克里斯蒂安·雅德
“What may seeing this so well-known drama played by children add? Everything. It is said that " truth comes out of the children’s mouth." When a child repeats a rude word which was said inadvertently by an adult, we are destabilized, the child has us "stripped". What to say when they resume, with incredible talent too, our mistakes, our shortcomings, our tragedies, our dark side? What a slap in the face of the adult world which created this evil universe from which a Dutroux came forth.”
La Libre Belgique, Guy Duplat
“这部众所皆知的孩子们的戏剧看点何在?处处都是看点。俗话说“小儿嘴里吐真言”。当孩子重复一句大人无意间吐出的谬骂时,我们就不淡定了,孩子把我们“剥”的体无完肤。当他们天赋秉异地重犯我们的错误、再现我们的毛病、重蹈我们的悲剧、重塑我们的阴暗面的时候,我们还有什么话要说呢?这部剧真是给了出现杜特斯这个杀人恶魔的邪恶世间的成人世界一记耳光。” 
——《比利时自由报》居伊·狄勃

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